7/28/2023 0 Comments Venice biennale iconical![]() The installation aims to play on our idea of perception and time with the Lighthouse becoming a singular moment linking the past, present and future. The Pharos Lighthouse will project colorful rays of light from the top floor of the Scala, creating a spectacular light installation that will be visible across the city’s iconic skyline. The Pharos Flower is part of the CITY OF VENICE’s official program of events for the 58th Biennale, marking the second time that Narine has appeared at the Biennale and follows her critically acclaimed installation at Manifesta 12, 2018.Ĭurated by Pier Paolo Scelsi (ITA), The Pharos Flower exhibition and installation will see Narine transform the iconic 15th century spiral staircase of the Palazzo Contarini del Bovolo into a striking multi-colored lighthouse. The exhibition, titled The Pharos Flower, will be displayed at the Palazzo Contarini del Bovolo, one of Venice’s most iconic landmarks. The Institut français is supporting the invitation of these artists, within the framework of its annual call for projects "Relance Export".This May, the world renowned Armenian contemporary artist, Narine Arakelian, will headline the Armenia Pavilion for the 58th Venice Biennale and launch a striking new exhibition. Six contemporary artists from the French scene have been invited by the Biennale to present their work. Resonances also take the form of a significant French presence in Cecilia Alemani's international exhibition The Milk of Dreams, with 29 contemporary and historical artists from the French scene, roughly one sixth of the artists in the exhibition.The programme echoes the work of Zineb Sedira, who is committed to exploring historical narratives and questioning the themes of collective memory and the transmission of this heritage. Other screenings are currently being confirmed. This programme is made available to France's cultural network abroad and will be screened in Berlin (summer 2022), London (September 2022) and Phnom Penh (November 2022). Curator and researcher Léa Morin has designed a film programme for "La Collection" entitled "Cinema, a weapon", divided into three parts: cine-combat, cine-movements and cine-geographies.Kunsthaus director Ines Goldbach is curating the exhibition. An exhibition at the Kunsthaus Baselland will feature in the Art Basel 2022 exhibition programme, in partnership with Basel art venues, conceived as a dialogue between Zineb Sedira and the artist Latifa Echakhch, who is representing the Swiss pavilion at the Venice Biennale.This first issue is followed by two others (Paris and Venice), available on the trade days of the Biennale. Also at FIAC Paris 2021, the artist presented, with curator Yasmina Reggad, the Pavilion's journal number 1, Alger.At FIAC Paris 2021, Zineb Sedira spoke with curators Sam Bardaouil and Till Fellrath in the official "conversation rooms" programme about their working process, and their collaboration as artists and curators for the Pavilion.As part of the FRIEZE ART FAIR in London, Zineb Sedira was in conversation with the British artist Sonia Boyce, of Afro-Caribbean origin, a long-time friend. ![]() The echoes around the project begin beforehand, during the Biennale, and continue long afterwards. The project presented by the artist Zineb Sedira in the French Pavilion of the Venice Biennale of Art extends beyond the presentation of the work on site from 23 April In 2002, she was invited to Algeria on a professional basis for the first time, which marked an important stage in her artistic work.įor several years now, her work has shifted from a memorial approach linked to her family history to more universal questions, by broadening the colonial question to that of economic and human flows, and more broadly to that of the circulation of ideas. It was here that she developed an autobiographical work based on her vast heritage, around questions of identity and individual and collective memories. ![]() In 1986, she left to study in England and has lived there ever since. As in her iconic work Mother Tongue, a film installation created in 2002, in her personal and artistic career, she embodies a complex cartography of Europe and Africa.īorn in Gennevilliers, Zineb Sedira spent her childhood there marked by the development of her passion for cinema and learning about cultural difference, its diversity and its problems. Zineb Sedira's career follows an itinerary formed by three countries: France, the country where she was born and raised, Algeria, her parents' country of origin, and England, the country where she lives. ![]()
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